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                The new improvising ensemble FS&V makes its debut with 
                their self-titled CD on LoLo Records. Comprised of three very 
                eclectic NY musicians; drummer Chris Massey, reed player 
                David CasT and guitarist David Torn. 
                 
                Chris Massey , a player/searcher of the "hidden groove" 
                following the paths of Jon Christensen and Paul Motian, he also 
                explores the electro-acoustic realm of drum-synthesizer-loop triggering 
                as well as performing on various clay drums and gongs. He worked 
                with Bill Frisell in the early 80´s and was heavily influenced 
                by the guitarist's quirky compositions and his flexibility of 
                style. He has since worked with minimalist poet Robert Creeley, 
                Trio Courage with bassist Steve Swallow and John 
                Mills, french-hornist Tom Varner, Hans Koch, 
                Bob Degen Trio, Vinnie Golia and  Michael 
                Gibbs. 
                 
                Guitarist David Torn is well known for his forays into 
                the musical unknown. A prolific solo-artist and film score composer, 
                Torn is unstoppable in exploring new sounds, tunings and techniques 
                on multitude of stringed instruments. He leads and/or performs 
                with Polytown w/Terry Bozzio and Mick Karn, 
                Laurie Anderson, Bill Bruford/Tony Levin´s Upper Extremities, 
                Ryuichi Sakamoto, K.D. Lang,  Guitar Obliq 
                w/ Vernon Reid & Elliot Sharp, DJ Spooky, Me´shell 
                ndegecello, Chocolate Genius, Jan Garbarek, 
                Carter Burwell, Subject/Object w/ Vinnie Caliutta 
                and Doug Lunn, and many others...  
                 
                Multi-reed player David CasT has been a longtime compatriot 
                of Torn's and performs on a wide variety of reed instruments, 
                exotic wood flutes, ethnic wind instruments and electronic effects. 
                He is a frequent player on the New York scene performing with 
                John Zorn, the Walter Thompson Orchestra, Dave 
                Tronzo, Steve Weisberg, Danilo Perez, Karl 
                Berger, Karen Mantler and has worked with legendary 
                trumpeter Don Cherry, Al Grey, Neils Larsen Group, 
                The Memphis Pilgrams, and vibist Karl Berger as 
                well as producing many recording sessions.  
                            Some 
                reviews... 
              "forever 
                sharp & vivid is the sound of a Velvet-Fist!"  
                - Playboy Magazine  
               "True 
                to it's title, forever sharp & vivid retains it's compositional 
                focus and is presented with an attention to thematic development 
                that is hard to come by in this noodling era."  
                - Tony Green, JazzTimes Magazine  
                             "Serrated 
                rhythms, mesmerizing loops, dissonant bursts and disquieting quietudes 
                all contribute to the seething beauty of forever sharp & 
                vivid's sound. David Torn once told Innerviews...you must 
                look beyond the whirlpool of the music business to develop something 
                you think is really important...forever sharp & vivid 
                is the living embodiment of that philosophy."  
                - Anil Prashad, Innerviews Online 
               "The 
                range of sounds forever sharp & vivid produces using 
                just the basic setup is truely impressive...from moody sound sculptures 
                to driving electronic venting, these guys deliver the goods." 
                 
                - Larry Nal, Progression Magazine  
               "This 
                disc is an exquisite adventure in the possibilities of a tradition-conscious 
                jazz group taking full advantage of the modern studio's capabilities." 
                 
                - DetroitMusic.com 
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